{"id":1022,"date":"2019-01-24T21:20:57","date_gmt":"2019-01-24T21:20:57","guid":{"rendered":"http:\/\/marmoset-journal.flywheelsites.com\/talking-death-and-music-with-sundance-filmmaker-stefanie-horowitz\/"},"modified":"2021-03-26T01:35:31","modified_gmt":"2021-03-26T08:35:31","slug":"talking-death-and-music-with-sundance-filmmaker-stefanie-horowitz","status":"publish","type":"post","link":"https:\/\/www.marmosetmusic.com\/journal\/talking-death-and-music-with-sundance-filmmaker-stefanie-horowitz\/","title":{"rendered":"Talking Death, Music and More with Sundance Filmmaker, Stefanie Horowitz"},"content":{"rendered":"<div\n        class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \"\n        data-test=\"image-block-inline-outer-wrapper\"\n    ><\/p>\n<figure\n            class=\"\n              sqs-block-image-figure\n              intrinsic\n            \"\n            style=\"max-width:1500.0px;\"\n        ><\/p>\n<div\n                style=\"padding-bottom:41.666664123535156%;\"\n              class=\"\n                image-block-wrapper\n                has-aspect-ratio\n              \"\n              data-animation-role=\"image\"\n          ><br \/>\n            <noscript><img decoding=\"async\" src=\"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2020\/07\/music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design.png\" alt=\"music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design.jpg\" \/><\/noscript><img decoding=\"async\" class=\"thumb-image\" src=\"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2020\/07\/music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design.png\" data-image=\"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2020\/07\/music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design.png\" data-image-dimensions=\"1500x625\" data-image-focal-point=\"0.5,0.5\" alt=\"music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design.jpg\" data-load=\"false\" data-image-id=\"5c4a2bb088251bf5c0e172df\" data-type=\"image\" \/>\n          <\/div>\n<\/figure><\/div>\n<h1 style=\"white-space:pre-wrap;\">Filmmaker, Stefanie Abel Horowitz ran her theatre company, Tiny Little Band for six years before pivoting artistic mediums and directing her first short film, <em>sometimes I think about dying<\/em>. <\/h1>\n<h2 style=\"white-space:pre-wrap;\">With its premier at Sundance Film Festival, Marmoset caught up with Horowitz to explore her fascination with death, music and getting into one of the most reputable film festivals. <\/h2>\n<p style=\"white-space:pre-wrap;\">After embracing a brief hiatus from being an artist, Horowitz began questioning what it really was that she wanted to do, prompting her to ditch the concrete jungle of New York to relocate to sunny Los Angeles. <\/p>\n<p style=\"white-space:pre-wrap;\">Filmed in a small coastal town of Maine, <em>sometimes i think about dying<\/em> is a dark comedy of a young woman who\u2019s headspace lingers in deathly thoughts. The audience is let in on the main character\u2019s musings as a voice-over dialogue; the character is surrounded by others who have little to no awareness of the grim intricacies beyond an otherwise timid shell. Exteriorly, she blends into a washed out palette of muted colors, invisible in plain sight, adding to the layers of her shyness. <\/p>\n<p style=\"white-space:pre-wrap;\">While the story follows the beginning of a newly founded relationship, Horowitz never forfeits the struggles and complexes that define the film\u2019s main character, regardless or not if infatuated with a love interest. It\u2019s this kind of narrative, about women who exist beyond tropes and simple molds, that Horowitz proves is possible in filmmaking. <\/p>\n<div\n        class=\"\n          image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n        \"\n        data-test=\"image-block-inline-outer-wrapper\"\n    ><\/p>\n<figure\n            class=\"\n              sqs-block-image-figure\n              intrinsic\n            \"\n            style=\"max-width:2500.0px;\"\n        ><\/p>\n<div\n                style=\"padding-bottom:40.89775466918945%;\"\n              class=\"\n                image-block-wrapper\n                has-aspect-ratio\n              \"\n              data-animation-role=\"image\"\n          ><br \/>\n            <noscript><img decoding=\"async\" src=\"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2020\/07\/music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design-sundance.png\" alt=\"music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design-sundance.jpg\" \/><\/noscript><img decoding=\"async\" class=\"thumb-image\" src=\"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2020\/07\/music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design-sundance.png\" data-image=\"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2020\/07\/music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design-sundance.png\" data-image-dimensions=\"2500x1040\" data-image-focal-point=\"0.5,0.5\" alt=\"music-filmmaker-licensing-copyright-free-score-music-for-youtube-sound-design-sundance.jpg\" data-load=\"false\" data-image-id=\"5c4a2b024ae2379e9f702fb5\" data-type=\"image\" \/>\n          <\/div>\n<\/figure><\/div>\n<p style=\"white-space:pre-wrap;\">\u201cI hate how women are so often presented as cold,\u201d says Horowitz. \u201cIf we\u2019re not sort of these romanticized, soft maternal women, then we are cold workaholics who can&#8217;t access our feeling whatever it is. She&#8217;s definitely such a full character. And part of the reason we wanted to bring this back as a film is that she is so interesting and so millable to so many, and a complicated woman.\u201d <\/p>\n<p style=\"white-space:pre-wrap;\">And as an upcoming filmmaker Horowitz proves she\u2019s comfortable forging ahead to tell these kind of authentic kind of stories\u2014s<em>ometimes i think about dying<\/em> normalizing the topic and presence of death. <\/p>\n<p style=\"white-space:pre-wrap;\">\u201cIt&#8217;s such a universal feeling, right? Whether it be sadness or actual death or whatever it is,\u201d says Horowitz. \u201cI mean we&#8217;re all going to die and we all think about it at some point, but. So it&#8217;s like how to let people not feel like somehow she&#8217;s somehow other than them \u2014 or that we have an access to that part of ourselves. But she gets to say the things that we all kind of want to say or are all thinking. And so it sort of had to be that combination of smart, funny, bad woman.\u201d<\/p>\n<p style=\"white-space:pre-wrap;\">And much like the thoughtfully constructed nature of Horowitz\u2019s main character, cinematography and sound design equally portray distinct presences. Horowitz worked with a composer, Savannah Wheeler and with Marmoset for music licensing \u2014 \u201c<a href=\"https:\/\/www.marmosetmusic.com\/browse\/49348-lonely-star\" target=\"_blank\" rel=\"noopener noreferrer\">Lonely Star<\/a>\u201d by <a href=\"https:\/\/www.marmosetmusic.com\/artists\/fred-martin-and-the-matadors\">Fred Martin and the Matadors<\/a> and \u201c<a href=\"https:\/\/www.marmosetmusic.com\/browse\/38441-i-wanna-know\" target=\"_blank\" rel=\"noopener noreferrer\">I Wanna Know<\/a>\u201d by <a href=\"https:\/\/www.marmosetmusic.com\/artists\/pagents\" target=\"_blank\" rel=\"noopener noreferrer\">Pagents<\/a>. When asked about her approach to music, Horowitz notes her evolving approach toward creating a soundtrack. <\/p>\n<p style=\"white-space:pre-wrap;\">\u201cThere are directors who will make a playlist and are really engaged with the musicality side,\u201d Horowitz says. \u201cI actually find that to be one of the hardest parts because it is such an emotional medium. I mean people cry just listening to music. I really want to get better at that to be honest because I think it helps the film later on too when adding music in.\u201d<\/p>\n<p style=\"white-space:pre-wrap;\">With her first film wrapped and heading to Sundance, what\u2019s next for Horowitz? <\/p>\n<p style=\"white-space:pre-wrap;\">\u201cWell, I&#8217;m excited to go to Sundance, I think that&#8217;s gonna be fun. And then I&#8217;m just writing a lot more and I\u2019m working on adapting another play that I worked on previously, called \u201cGhost Stories,\u201d \u2014 it won\u2019t be called that in the future. It&#8217;s about ghosts, belief and faith and then I&#8217;m writing more stuff for TV as well.\u201d <\/p>\n<hr \/>\n<h2 style=\"white-space:pre-wrap;\">While audiences will have to wait to see the short film online, Sundance filmgoers can a screening  of s<em>ometimes i think about dying <\/em>at the festival \u2014 showtimes listed below:<\/h2>\n<p style=\"text-align:center;white-space:pre-wrap;\"><strong>Temple Theatre, Park City \u2014 Saturday, January 26, 6:00 p.m.<\/strong><\/p>\n<p style=\"text-align:center;white-space:pre-wrap;\"><strong>Redstone Cinema 2, Park City \u2014 Sunday, January 27, 10:00 p.m.<\/strong><\/p>\n<p style=\"text-align:center;white-space:pre-wrap;\"><strong>Broadway Centre Cinema 6, Salt Lake City \u2014 Monday, January 28, 3:00 p.m.<\/strong><\/p>\n<p style=\"text-align:center;white-space:pre-wrap;\"><strong>Egyptian Theatre, Park City \u2014 Thursday, January 31, 5:30 p.m.<\/strong><\/p>\n<div class=\"sqs-svg-icon--outer social-icon-alignment-center 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before&hellip;<\/p>\n","protected":false},"author":4,"featured_media":1023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[49,6,16],"tags":[184,149,141,147,30,19,171],"class_list":["post-1022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmmaking","category-marmoset","category-music","tag-film-score","tag-getting-music-rights-for-film","tag-how-to-find-music-for-videos","tag-how-to-license-music-for-video","tag-marmoset-music-licensing","tag-music-licensing","tag-soundtrack","has-excerpt"],"jetpack_featured_media_url":"https:\/\/www.marmosetmusic.com\/journal\/wp-content\/uploads\/2019\/01\/ScreenShot2019-01-24at1.16.22PM.png","_links":{"self":[{"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/posts\/1022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/comments?post=1022"}],"version-history":[{"count":1,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/posts\/1022\/revisions"}],"predecessor-version":[{"id":11143,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/posts\/1022\/revisions\/11143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/media\/1023"}],"wp:attachment":[{"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/media?parent=1022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/categories?post=1022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marmosetmusic.com\/journal\/wp-json\/wp\/v2\/tags?post=1022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}