{"id":53,"date":"2020-02-25T18:03:23","date_gmt":"2020-02-25T18:03:23","guid":{"rendered":"https:\/\/marmoset-journal.flywheelsites.com\/apple-marmoset-music-placement\/"},"modified":"2020-12-16T02:35:57","modified_gmt":"2020-12-16T10:35:57","slug":"apple-marmoset-music-placement","status":"publish","type":"post","link":"https:\/\/www.marmosetmusic.com\/journal\/apple-marmoset-music-placement\/","title":{"rendered":"Apple X Marmoset Music Placement"},"content":{"rendered":"
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Music placement can be subtle, so subtle that maybe you didn\u2019t even realize there was music playing in the background (oh, but it\u2019s there alright). Other times, it\u2019s the music that drives<\/em> the visuals, causing everyone in the video\u2019s comments section to ask what\u2019s that song that plays at 1:05?<\/em><\/p>\n

At Marmoset, we know all about the art of perfect music placement. Whether it\u2019s subtle and subdued \u2014 or anthemic and turned up \u2014 placing the right music to picture will only make your project shine that much brighter.<\/p>\n

We turn to Apple\u2019s Instagram collaborations for examples of perfect music placement \u2014 both campaigns feature Marmoset artists, find out who<\/em> below.<\/p>\n

Snails in Love <\/strong><\/p>\n

Created by Aleia Murawski and\u00a0Samuel Copeland and shot on an Apple iPhone, the video follows the timeline of falling in love \u2014 as two snails. Featuring \u201cThe Unwritten Law<\/a>\u201d by Al Hazan<\/a>, the campaign follows two snails\u2019 blossoming romantic relationship across a landscape of miniature sets created by Murawski and Copeland.<\/p>\n

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A post shared by apple (@apple)<\/a> on